(12-1) Special Topics Issue (spring-summer 2017) / Numéro thématique annuel (printemps-été 2017)

ENG. Faces of Eros

Deadline for submission: Oct. 1, 2016. Please direct any questions to the Lead Editors : Élodie Boublil (CNRS-ENS), elo.boublil[a] &  Chiara Piazzesi(UQAM), piazzesi.chiara[a]

Eros plays a central role in Western thought. In the philosophical and spiritual traditions, it usually refers to physical love and desire. Eros is a recurring character in the pre-Socratic cosmogonies, and it is the main impulse of the philosophical quest for truth in Plato’s Phaedrus. In the Symposium, Plato also unveils its fundamental ambiguity as half divine and half human, where the desire to merge the opposing sides involves beauty and ugliness, profusion and need. Eros is at the intersection of gift and possession, of radical openness and selfish desire, of interested disinterest and mystical transport, mixing clairvoyance and blindness. Thanks to the manifold nuances of the erotic-sensuous genius that fascinated Kierkegaard, eroticism both produces and dissolves several dimensions of human existence, sociality, understanding, and speech.  This Special Topics issue of PhænEx wishes to give a new impulse to philosophical reflections on this fundamental and ambiguous phenomenon, following an interdisciplinary perspective at the intersection of phenomenology, post-structuralism, and social sciences (psychology, sociology, sexology, anthropology, linguistics, etc.).

FRA. Figures de l'Eros

Date limite pour les soumissions d'articles : 1er oct. 2016. Adresser toute question aux directrices du numéro : Élodie Boublil (CNRS-ENS), elo.boublil[a] et  Chiara Piazzesi (UQAM), piazzesi.chiara[a]

Eros exprime traditionnellement l’amour dans sa dimension sensuelle et désirante. Il a toujours occupé une place privilégiée dans la pensée occidentale : protagoniste des cosmogonies présocratiques, Eros devient, dans le Phèdre de Platon, le moteur du savoir philosophique, alors que le Banquet décèle son ambiguïté fondamentale : pris entre le divin et l’humain, ce désir d’union avec l’autre participe de la beauté et de la laideur, de l’abondance et du besoin. Eros est situé à la confluence du don et de la possession, de l’ouverture à l’autre et du désir égoïste, du désintérêt intéressé et d’un transport mystique qui se lit à la fois comme clairvoyance et comme aveuglement. Par les gradations de la génialité sensuelle qui avait fasciné Kierkegaard, l’érotisme produit et en même temps dissout des dimensions entières de l’existence, de la socialité, de la compréhension et de la parole humaines. Ce numéro thématique de la revue PhaenEx souhaite donner une impulsion nouvelle à la réflexion sur cette ambivalence fondamentale, dans une perspective pluridisciplinaire au croisement de la phénoménologie, du poststructuralisme et des sciences sociales (psychologie, sociologie, sexologie, anthropologie, linguistique, etc.).

(12-2) Annual Open Issue (fall 2017) / Numéro non-thématique annuel (automne 2017)

ENG. Deadline for submission: March 1, 2017. Please direct any questions to the Chair of the Editorial Collective, Martine Béland 

FRA. Date limite pour les soumissions : 1er mars 2017. SVP adresser toute question à la rédactrice en chef de la revue, Martine Béland


*Les Conventions typographiques françaises sont accessibles here.

1. Submissions should represent original work not previously published.

2. It is the author’s responsibility to obtain appropriate written copyright permissions for the reproduction of any copyrighted material, including images.

3. Authors should adhere to gender-inclusive language in their manuscripts.

4. Generally, PhaenEx will not consider publication of the same author’s work in two consecutive Open issues, although authors may submit their work to consecutive Open and Special Topics issues.

5. Generally, scholarly articles are between 6000-9000 words in length, although exceptions can be made. Submissions that are clearly unrevised conference presentations, or which are excessively long without clear reason, will not be sent out for peer review. Authors should contact the Lead Editor(s) in advance of submission if they have questions or concerns about this requirement.

Authors are asked to comply fully with these requirements, as well as with the style requirements outlined below, and to follow the generally accepted norms of academic writing, including the provision of complete and accurate references. Failure to do so may constitute grounds for the rejection of a submission at any time during the editorial process. (PhaenEx recognizes the creative and other needs of its authors. Please write directly to the Lead Editor for permission to exceed these guidelines or the below style sheet.)


[voir lien ci- dessous pour les règles de mise en forme des textes en français]
Texts are to be saved in MS Word (.doc) or Rich Text Format (.rft).

The style requirements of PhaenEx are modeled on: Gibaldi, Joseph. MLA Style Manual and Guide to Scholarly Publishing. 2nd ed. New York: The Modern Language Association of America, 1998.


1) Use font Times New Roman size 12 throughout, including all entries in both Notes (to come at the end of the text, not at the bottom of the page) and Works Cited (to come after Notes).

2) Full justification, both left and right.

3) Double-space the main text.

4) Indent the first line of each new paragraph. (Do not leave a blank space between paragraphs.)

5) Use one space (not two) after sentence punctuation.

6) Single-space notes, but place a single blank line between each separate note.

7) Single-space all items in Works Cited, but place a single blank line between each separate entry.

8) To indicate emphasis, titles, and terms in a foreign language use italics (not underlining).

*Basic Layout:

1) The title should appear at the top of the first page, centred and boldface, and be followed by one blank double-spaced line.

2) If numbered, each section heading should use Roman numerals. Whether numbered or not, each section heading should be preceded by two blank double- spaced lines, centred, and boldface.

3) If numbered, each subheading should use lower case Arabic letters enclosed in parentheses, left-justified, boldface and italicized. Leave one double-spaced return between Section heading and sub-heading, and the same between sub-heading and text (i.e. please do not leave any
extra blank lines between heading and subheading, or between subheading and text).

4) Notes should be assembled at the end of the text (not the bottom of each page). They should be headed by the unnumbered section heading
"Notes," which should be centred, boldface, set off from the preceding paragraph by one blank double-spaced line (i.e. two strokes of the “return” key should follow the punctuation of the final paragraph).

5) A list of works cited in the text should come after the final note. It should be headed by the unnumbered section heading "Works Cited," which should be centred, boldface, set off from the last line of the last note by one blank double-spaced line (i.e. two strokes of the “return” key should follow the punctuation of the final note).

6) If using an epigraph, each line of the epigraph text should be indented to one tab, left-justified and italicized. Attribution of the epigraph should follow standard MLA parenthetical citation.


1) Quotations longer than three lines should appear without quotation marks, be single- spaced, and be block- indented once from the left margin. Enter one blank double- spaced line immediately before and after the block-indented quotation (i.e. block- indented quotations should use standard double-spacing to separate the quote from the main text.)

2) Indicate all interpolations with square brackets.

3) All ellipses should be indicated with a group of three immediately consecutive dots, preceded and followed by a single space. Ellipses indicating excluded text should not be placed in brackets.

*Quotation marks and punctuation:

1) Use double quotation marks for first order quotations of less than three lines and integrate them in the text. Use single quotation marks for quotations within quotations.

2) Final punctuation goes inside quotation marks except when followed by a parenthetical citation. Exception: Block quotations should be punctuated as if they were normal sentences and parenthetical citation should follow one space after the punctuation.

3) When quotation marks are followed by a parenthetical citation, final punctuation is placed after the parentheses. Exception: when the quoted text ends with a question or exclamation mark, place the question or exclamation mark inside the quotation marks and place a period after the closing parenthesis.

4) Semicolons, exclamation marks, and question marks that are not part of the quoted material should be placed outside quotation marks.

5) “Scare quotes” should be avoided if possible, although may be appropriate to denote contested terminology. When used, please use double quote marks (unless they appear within quotations as second-order quotes, where single quote marks should then be used.)

6) In text em-dashes should be long, with no space between the dashes and the words on either side. (Most word processors automatically convert to this format if you type a word followed immediately by two dashes followed immediately by the next word and then a space.)

7) Please use serial commas (e.g. "peace, order, and good governance").

8) Leave one space (not two) following punctuation between sentences.

*Use of foreign language words and quotations:

1) Quotations should be, where possible, translated into the language of the article using an official translation (and thus appropriately cited). Where no official translation is available, the author’s translation should be followed by a parenthetical note: (author’s trans.). This should be accompanied by an endnote that presents the translated text in its original language.

2) Where, for good reason, the original language of the quotation or word is kept in the main body of the article, single words or phrases should be italicized. Sentences and quotes should use format and punctuation guidelines of the article’s main language, rather than those of the foreign language.

*Parenthetical Citations:

1) MLA style uses in-text, parenthetical citations together with a Works Cited list at the end. The goal of parenthetical citation is (a) to provide immediate citation upon reading each specific passage in need of citation, (b) to indicate precisely the relevant item in Works Cited, and (c) to be as brief as possible.

2) When only one of the works of a particular author needs to be cited, citation appears as (last name page number), with no comma between the name and the page number. If more than one of the works of a particular author needs to be cited, citation appears as (last name, shortened book title in italics page number) OR (last name, “shortened article title within quotation marks” page number), with a comma between name and shortened title only. However, if (a) the author’s name and/or specific work is mentioned explicitly in leading sentences such that it is clear which text is being referred to in Works Cited, or if (b) it is clearly understood that the citation is the same as the immediately preceding citation, then the citation should be reduced to (page number). This replaces the need for ibid., an abbreviation which should not be used.

3) Parenthetical citations may also be used for merely supporting material, e.g., (see Smith). Full references are to be provided in Works Cited.


1) Notes appear in the body of the text in superscript and as consecutive, Arabic numerals.

2) Numbers appear in the Notes section also in superscript.

3) In the body of the text, superscript notes appear:
(a) outside punctuation, when no quotation marks or parenthetical citations are used, e.g., … lovers seek solitude.
(b) outside closing quotation marks, when no parenthetical citation appears, e.g., “… lovers seek solitude.”
(c) outside punctuation that follows the parenthetical citation, e.g., “… lovers seek solitude” (Sartre 273).

4) Follow MLA, parenthetical citation style for all quotations and references in the notes themselves. Full citations should appear only in the Works Cited list. For example: For a further discussion of this point, see Detmer (21-22).

*Works Cited:

1) Book paradigm:
Sartre, Jean-Paul. Being and Nothingness: A Phenomenological Essay on Ontology. Trans. Hazel Barnes. New York: Washington Square Press, 1956.

2) Article paradigm:
Simons, Margaret. “Two Interviews with Simone de Beauvoir.” Hypatia 3, no. 3 (1989): 11-27.

3) Chapter/Article in Book paradigm:
Gyllenhammer, Paul. “The Question of (In)Tolerance in Heidegger’s Notion of World- Disclosure.” Issues in Interpretation Theory. Ed. Pol Vandevelde. Milwaukee: Marquette University Press, 2006. 167-198.

4) Film paradigm:
Macbeth. Dir. Roman Polanski. Perf. Jon Finch, Francesca Annis, and Nicholas Selby. 1971. Columbia, 2002. DVD.

Please note: (a) When more than one work is used by the same author, subsequent references in Works Cited should include three combined dashes (an “em-dash”), followed by a period, in place of the name. (b) Inclusive page numbers must follow journal and chapter entries in the Works Cited list.

*Citing Online Sources (adapted from

1) MLA does not require a Web address (URL) in citations for online sources.

2) In general, citations should end by indicating the medium (i.e. Web) and the date the material was accessed (date Month year)

3) MLA style calls for a publisher or sponsor for most online sources. If a source has no publisher, use the abbreviation "N.p." (no publisher). If there is no date of publication or update, use the abbreviation "N.d" (for no date), after the publisher/sponsor position. For an article in an online scholarly journal or an article from a database, give page numbers if they are available; if they are not, use the abbreviation "n. pag."

4) If an author or editor is unknown, begin the citation with the title.

Examples and Paradigms:

(a) Entire Website with author or editor:
Peterson, Susan Lynn. The Life of Martin Luther. Susan Lynn Peterson, 2005. Web. 24 Jan. 2009.
Halsall, Paul, ed. Internet Modern History Sourcebook. Fordham U, 22 Sept. 2001. Web. 19 Jan. 2009.

(b) Entire Website with corporate (group) author:
United States. Environmental Protection Agency. Drinking Water Standards. EPA, 8 July 2004. Web. 24 Jan. 2005.

(c) Entire Website with unknown author:
Margaret Sanger Papers Project. History Dept., New York U, 18 Oct. 2000. Web. 6 Jan. 2009.

(d) Entire Website with no title:
Yoon, Mina. Home page. Oak Ridge Natl. Laboratory, 28 Dec. 2006. Web. 12 Jan. 2009.

(e) Short works from websites including articles, poems, and other documents that are not book length or that appear as internal pages on a Website: Shiva, Vandana. “Bioethics: A Third World Issue.” NativeWeb. NativeWeb, n.d. Web. 15 Sept. 2004.

(f) Online Book:
Milton, John. Paradise Lost: Book I. Poetry Foundation, 2008. Web. 14 Dec. 2008.

(g) Article in an on-line journal:
Belau, Linda. “Trauma and the Material Signifier.” Postmodern Culture 11.2 (2001): n. pag. Web. 20 Feb. 2009.

(h) Article in an Online magazine or newspaper:
Paulson, Steve. “Buddha on the Brain.” Salon Media Group, 27 Nov. 2006. Web. 18 Jan. 2009.

(i) E-mail. Begin with the writer's name and the subject line, followed by “Message to” and name of the recipient. End with the date of the message and the medium.
Wilde, Lisa. “Review Questions.” Message to the author. 15 Mar. 2009. E-mail. &am p;nb sp;

For all other examples see

*Standardized Spelling Guidelines:

Please standardize spelling to the Oxford Canadian English dictionary. Please note the following preferred spellings and guidelines:- post-structuralism, post-humanism, postmodernism, postcolonial- the Far East, the West (not west), Western[e.g. media, thought, intellectuals, culture, etc.], but western [Canada, parts of the city, etc.].- insofar>- naturally-ordered, largest-ever, etc.- avoid “&” in favour of “and”- towards rather than toward- farther denotes physical advancement in distance while further denotes advancement to greater degree, as in time<*On all other matters of style, please consult the MLA Style Manual and Guide to Scholarly Publishing (2nd edition).


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